![]() ![]() He is belittling her by referring to her as a "little girl" and suggesting that she has pursued unrealistic and immature fantasies and dreams. Ghost Love Score is a lengthy song about lamenting a love that could never exist, which in my opinion is the love that Tuomas could never explicitly express to Tarja. I believe Eva is Tarja because Eva was the first woman and therefore, the first singer.Ī reference to Eva/Eve also appears in Ghost Love Score: "relive the old sin of Adam and Eve" (which could imply "let's return to the very origin of us"). I think the song is a farewell to Tarja, but it also diminishes her a little. "We kill with her own loving heart" "No one can help you" "Time for one more daring dream before her escape" "Go back to sleep forever more. "She would stay among the beasts" "Far from your fools" "For a memory of one kind word she would stay among the beasts" "Whisper to my heart when hope is torn apart" "Mocked by man to depths of shame, little girl with life ahead" "You don't have to see what I turned out to be" "There's no friend to call her name" "You are the wind, the only sound" "Dreams the world far away" "Go tell the world I'm still around" "She walks alone but not without her name" "I walk alone, it's never gone (the name)" "Kindest heart which always made me ashamed of my own" "And no one can save you" "Eva leaves her Swanbrook home" "I'm never gone" "A rose by any other name" "Keep all the roses I'm not dead" ![]() Here are some of the lyrics side by side (Eva I Walk alone): This song responds to "Eva" by Nightwish, which came out a few months earlier than "I Walk Alone". Anyone listening to the zombies must be at least a little bit of a hippy and this might ring true :) The getting to know each other again for a second time is like the second coming, basically when we awaken to who we really are, that is when we are free and begin our ascent back home, that is the true meaning of the second coming. The cost of getting back home causes some whining but we kiss and make up. And to be expanded by our experience here. The room we used to stay in every Sunday and warmed by the sun every day. We are in prison here, but our beloved is awaiting our return. To me this song is a playful way of expressing our ascent back home to Oneness. The getting to know each other again for a second time is like the second coming, basically when we awaken to who we really are. ![]() Not to change the subject, but I will say the same about his album Heaven and Hell. It is painfully underrated and underrepresented. If I were to ever write a book about about an album, it would be Big World. Big World concentrates upon geopolitics, international romance, and all things in-between. This fantastic song is but one song from an album filled with equally fantastic songs. ![]() The thing is, the song came from the album Big World, a genuine masterpiece. Past, present, and future are all projected. To when rivers ran red - now it's the sky that grows black." "They've looked around - and now there is no looking back The entire song is at once cryptic, wistful, haunting, and daunting. Obviously, it speaks of post-war Europe and the Cold War. It would be a fucking nightmareĪs a middle aged American, at a certain level I can only guess. Like God help those types of people try and read Shakespeare. But I know there's people that HAVE, & even still, will not correlate the information given in a pretty plain manner. I don't mean anyone that previously commented is an idiot btw, could be as simple as never listened to the album. She even says the word deity in that song as well. Geez has anyone that commented actually listened to the album? There's another song like, 2 or 3 ahead of this one, (called Do You Want to Play?) And it's about her meeting a girl that lives under a disco something or other. But I know there's people that HAVE, & even still, will not. ![]()
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